SMC workshop times are available on ANU MyTimetable. These workshops are on-campus only. Please sign-up for a workshop as soon as possible.
| Day | Time | Location | Tutors |
|---|---|---|---|
| Mon | 12-14 | Birch 1.09 | Madelyn Fardell, Rachel Schroder |
| Tue | 12-14 | Birch 1.33 | Sandy Ma, Mingrui Gao |
| Thu | 11-13 | Ian Ross 107 | Xinran Yuan, Madelyn Fardell |
The weekly workshop sessions are the most important learning activity in SMC. If you’re enrolled in the class you must attend (in person) every week.
What to do#
Before you attend the workshop you must have read the corresponding lecture material (see below) and have submitted your weekly diary entry. Each week’s content includes:
- a description of the “creative provocation” for that week’s diary entry
- videos to watch
- code to read
- other reading material (papers, blog posts, etc.)
Engaging in the workshops fully is your guarantee of success in this course. Nobody in the class has experience in computer music (you wouldn’t need the course in that case) but most folks will either have experience in computing or music. The workshops are where you get to fill in the gaps in your knowledge and work with the folks who will become your laptop ensemble by the end of the semester. Further, if you do not participate in workshops, you will not be able to fully complete your portfolio assessment items. Plan to not miss a single one.
Workshop Timeline#
The timeline for each 2-hour workshop is:
| time | activity |
|---|---|
| 00:00 | show up, get settled, ask any pre-class questions |
| 00:10 | listen to that week’s AV diary submissions |
| 00:30 | crit discussion |
| 00:50 | small group jam activity |
| 01:20 | group performances |
| 01:40 | discussion, feedback, questions on notice |
Time is precious and we don’t want to waste yours so we will stick to this timeline as much as possible.
Content#
Week 1: hello sine
Your first beeps and boops
Week 2: digital synthesis
So what types of beeps and boops can we make, actually?
Week 3: sampling 1
Working with pre-recorded sound material
Week 4: envelopes, notes and compositions
Shaping sound in the short (and long) term
Week 5: networks & collaboration
Making computer music with multiple computers & musicians
Week 6: interfaces
Building interfaces for musical expression
Week 7: algorithmic composition
Triggering events in pitch and time using algorithmic processes
Week 8: live coding
Getting deeper into synthesis design
Week 9: synth design
Composing music live with code
Week 10: topologies
Thinking about the parts of your performance and how they fit together
Week 11: interfaces and expression
Developing the interface for your final performance and using them for creative control
Week 12: composition and improvisation
Refining your composition and improvisation palns for the final performance